{"product_id":"mike-hoolboom-work","title":"Mike Hoolboom: Work","description":"\u003cp\u003eEdited by Clint Enns.\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eMike Hoolboom works in the tradition of the untraditional, at the fringes of the movie factory which have slowly turned from DIY gatherings of outsiders and weirdos into a cottage industry. The movies that Hoolboom makes are no-budget resistances, both to their big-budget counterparts and the ideologies they embody. Given that Hoolboom has been producing moving images for over four decades, it shouldn’t be surprising that his impetus for making this type of work has mutated over time. While the subject matter has changed, the spirit of rebellion remains, and the anger and passion that once fuelled his work has been fine-tuned and transformed into a more sophisticated form of political critique.\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHoolboom is a post-Zen Marxist inspired by the writings of Silvia Federici, Mark Fisher, Hito Steyerl, Byung-Chul Han, Christina Sharpe, Naomi Klein, and Paul B. Preciado, among others. He is an avid reader and spends too much time watching and writing about movies. He believes in the commons, that once words and images have entered the public realm they become fair to use and transform. In addition to fair use, he harbours ideals of fairness and believes in volunteer community efforts that celebrate and document local cultures. His artworks are ways to think through and visualize ideas.\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHe was born in Ontario and in the 80s went to Sheridan College, where he became a member of the Escarpment School, a group of filmmakers who studied under Rick Hancox and Jeffrey Paull and whose members include Carl Brown, Philip Hoffman, Richard Kerr, Gary Popovich, Steve Sanguedolce, Janis Cole, Holly Dale, Marian McMahon, Mike Cartmell, Lorne Marin, and Alan Zweig. Hoolboom was a member of the Funnel, a radical artist-run centre that focused on experimental filmmaking, and in 2017 he released a book about the organization titled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnderground: The Untold Story of the Funnel Film Collective\u003c\/em\u003e. He is one of the founding members of Pleasure Dome and has worked for both the CFMDC and Images Festival.\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHoolboom’s earliest films are formal experiments, attempts to unpack the language of filmmaking and the mechanics of meaning making. They were aimed at complicating the one-way mode of communication presented by corporate media, calling into question notions of passive spectatorship, asking who owns and controls dominant image culture. In 1988, Hoolboom was diagnosed with HIV, marking a shift in focus in his work to themes of sex, death, and living with HIV. The work became more personal and intimate while still maintaining a defiant punk attitude. By the 2000s, Hoolboom had begun to make cinematic portraits of friends, including a biopic of underground filmmaker Tom Chomont and a documentary about animal activist, filmmaker, and collaborator Mark Karbusicky.\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHis later works are centred around injustices that stem from hypercapitalism, including racial injustice, class inequities, colonial violence, and global imperialism. He has continued to make filmic portraits along with several films about living through the AIDS pandemic into the era of the cocktail. His works continue to deal with viruses, but his conception of the virus has expanded: Capitalism, racism, and imperialism all act as viruses infecting (and affecting) both bodies and minds, with some people more susceptible than others. His portraits have stretched traditional documentary practices and inhabit a more philosophical and poetic space. The work remains infused with a layer of affect borrowed from his stolen images and densely constructed sound designs.\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eOver the years, Hoolboom has produced many movies—perhaps too many for any one person to track down and watch. Moreover, the films are in an ongoing state of transition, often subject to radical revisions and retouches by the filmmaker. Hoolboom is always grappling with new ideas, thinking through images, creating visuals to carry emotions that are too difficult or complicated to resolve in a single viewing. In this anthology, I have attempted to compile a complete filmography by combing through ancient distribution catalogues and including movies that have been withdrawn and are no longer available, although the elements for some of these early works are available from the archives at the Cinémathèque québécoise. While the sheer mass of this filmography is a testament to Hoolboom’s commitment to his practice, it exists in this form purely as a reference. I provide a more practical guide for navigating Hoolboom’s work in the form of a curated selection titled “Essential Movies.”\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eIn 1998, YYZ released\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePlague Years\u003c\/em\u003e, an edited collection of Hoolboom’s scripts, essays, and stories. Since that time, he has edited more than thirty books with writings dedicated to the works of fellow fringe filmmakers, including Jorge Lozano, Alexandra Gelis, Steve Reinke, Frank Cole, Deirdre Logue, Emily Vey Duke and Cooper Battersby, Al Razutis, David Rimmer, Dani (Leventhal) ReStack, Mike Cartmell, Ellie Epp, Madi Piller, Christine Lucy Latimer, Rebecca Garrett, Phillip Barker, b.h. Yael, and Birgit Hein. He has also produced two books of interviews with Canadian filmmakers,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInside the Pleasure Dome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePractical Dreamers\u003c\/em\u003e; a novel,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Steve Machine\u003c\/em\u003e; and a work of autotheory,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYou Only Live Twice\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(cowritten with Chase Joynt).\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eThis is the first monograph of writings dedicated to Hoolboom’s work. It contains a diverse range of texts and essays from scholars, activists, artists, writers, and friends. In the spirit of inclusion, we wanted to showcase as many different voices as possible. The book is constructed around writing that is short and concise. As such, none of the essays are all-encompassing, nor do they act as the final, definitive word. Instead, the book offers an accumulation of glances where details are offered in place of the big picture. If one connects the dots and squints just a little, it is possible to make out a lived practice that is as socially and politically engaged as it is enraged at the wide variety of injustices that the world has to offer.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eAcknowledgments\u003c\/h2\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eThis book would not have been possible without the support of a SSHRC Postdoctoral Fellowship and a grant from the Ontario Arts Council. Deepest gratitude to Andrew Burke for his advice and encouragement as my postdoctoral supervisor at the University of Winnipeg. I’d like to thank Kathryn for her support throughout the project; she read drafts, helped with translations, and listened to me endlessly drone on. I’d like to offer my sincerest gratitude to Cameron Moneo, who is definitely the best copyeditor within my group of friends, if not all of Canada. I’d like to thank Leslie Supnet for her beyond beautiful cover design. The cover image is a still from footage of the Broadview Developmental Center shot in 1967 by Escarpment School guru and audiovisual healer Jeffrey Paull, Mike’s teacher and friend. The beautiful painting next to this page and the one on page 107 are by Heather Frise, Mike’s friend and frequent collaborator. The photographs on page 212 are by John Price, Mike’s tennis partner, friend, and collaborator. Mike and I are blessed to be surrounded by truly talented people and even more fortunate to be able to call them friends. Bouquets to Tom McSorley at the Canadian Film Institute, Ben Taylor at Visions, Jesse Brossoit at CFMDC, Wanda vanderStoop at Vtape, and Jorge Lozano, Alexandra Gelis, June Pak, Rebecca Garrett, and soJin Chun at ConverSalón. Thanks to Brian Price and Michael Zryd for their support of the project. Finally, infinite thanks and gratitude to all the writers who contributed to this project; the book would not have happened without you. Mike and I were, literally speaking, shooting for the stars.\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eContents\u003c\/h2\u003e\n\u003cdiv class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eINTRODUCTION\u003cbr\u003eClint Enns\u003cbr\u003e\u003cbr\u003eVETERANS\u003cbr\u003eJean Perrot\u003cbr\u003e\u003cbr\u003eCLOSER\u003cbr\u003eMike Hoolboom\u003cbr\u003eAlexandra Gelis and Jorge Lozano\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eANDRÉ\u003cbr\u003eShannon Cochrane\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eASK THE ANIMALS\u003cbr\u003eCatherine Bush\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWITCHES AND THE ORIGINS OF CAPITALISM\u003cbr\u003eLaura U. Marks\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eDISCO\u003cbr\u003eRichard Fung\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eUBER\u003cbr\u003eÉmilie Poirier\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eLETTER FROM FRED\u003cbr\u003eGary Popovich\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eRAIN\u003cbr\u003eAlexandra Gelis and Jorge Lozano\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTHE CENTRAL GESTURE\u003cbr\u003eLisa Robertson\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eI MEASURE MY LIFE IN DOGS\u003cbr\u003eCameron Moneo\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWIND\u003cbr\u003eDan Browne\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTHE SECRET PLACE\u003cbr\u003ePetra Mueller\u003cbr\u003e\u003ca href=\"https:\/\/clintenns.ca\/freedom-from-everything\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003e\u003ca href=\"https:\/\/clintenns.ca\/freedom-from-everything\/\"\u003eFREEDOM FROM EVERYTHING\u003c\/a\u003e\u003cbr\u003eJohanna Householder and Angelo Pedari\u003cbr\u003eClint Enns\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWAVES\u003cbr\u003eAl Razutis\u003cbr\u003eJim Shedden\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eNEW YORK STATE OF MIND\u003cbr\u003eRebecca Garrett\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFEELING STATES\u003cbr\u003eJorge Lozano\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eCHILE 1973\u003cbr\u003eb.h. Yael\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHAIFA\u003cbr\u003eAli Kazimi\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFOR THE BIRDS\u003cbr\u003eAkira Mizuta Lippit\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSKINSHIP\u003cbr\u003eJaimie Baron\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eMY EDUCATION\u003cbr\u003eMike Hoolboom\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eLISTENING\u003cbr\u003eHeather Frise\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eCUT\u003cbr\u003eYann Beauvais\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSOFT LANDINGS FOR CAPITALISM\u003cbr\u003eYann Beauvais\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eCOMMONS\u003cbr\u003eAl Razutis\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eICE CREAM\u003cbr\u003eAlexandra Gelis and Jorge Lozano\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eNAZARETH\u003cbr\u003eJohn Greyson\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSKINNED\u003cbr\u003eSpider Campos\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTHE GUY ON THE BED\u003cbr\u003eSteve Polta\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWE ARE ISLANDS\u003cbr\u003eMarianna Milhorat\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003e23 THOUGHTS ABOUT MY MOTHER\u003cbr\u003eEsma Moukhtar\u003cbr\u003ePhilip Hoffman\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eMODEL CITIZENS\u003cbr\u003eCaspar Stracke\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eJUDY VERSUS CAPITALISM\u003cbr\u003eMike Hoolboom\u003cbr\u003eTerence Dick\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWAX MUSEUM\u003cbr\u003eLeo Goldsmith\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eAFTER VICTORY DAY\u003cbr\u003eAlexandra Gelis and Jorge Lozano\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eINSTRUCTIONS FOR ROBOTS\u003cbr\u003eMaike Mia Höhne\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eAFTER DROWNING\u003cbr\u003eCamilo Constain\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTOUCH MEMORY\u003cbr\u003eKathryn Michalski\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eBE YOUR DOG\u003cbr\u003eJanet Lees\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFATHER AUDITIONS\u003cbr\u003eLaura Busetta\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eCREDIT CARD\u003cbr\u003ePiers Handling\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eI TOUCHED HER LEGS (REMIX)\u003cbr\u003eMike Hoolboom\u003cbr\u003eMeganelizabeth Diamond\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFEAST\u003cbr\u003eKerri Sakamoto\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHOW TO WATCH PORNOGRAPHY\u003cbr\u003eJean Marc Ah-Sen\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eLOVER MAN\u003cbr\u003eAlan Zweig\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTHRESHOLD\u003cbr\u003eJason Fox and Brett Story\u003cbr\u003e(S)HE SAID THAT\u003cbr\u003eChristine Negus\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003e27 THOUGHTS ABOUT MY DAD\u003cbr\u003eMadi Piller\u003cbr\u003eHelen Lee\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eGRAMSCI’S NOTEBOOKS\u003cbr\u003eMike Hoolboom\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eINTRODUCTION TO ALCHEMY\u003cbr\u003eDaniel Cockburn\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eNURSING HISTORY\u003cbr\u003eDirk de Bruyn\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSUPERNATURAL POWER\u003cbr\u003eMike Hoolboom\u003cbr\u003eJean Perret\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eVISITING HOURS\u003cbr\u003eJulie Murray\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWHERE THE NIGHT IS GOING\u003cbr\u003eDavid Finkelstein\u003cbr\u003eYann Beauvais\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSAW HIM THERE\u003cbr\u003eCatherine Russell\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003e3 DREAMS OF HORSES\u003cbr\u003eCaspar Stracke\u003cbr\u003eFaraz Anoushahpour and Ami Xherro\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTHE BED AND THE STREET\u003cbr\u003eHeather Frise\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFATS\u003cbr\u003eMartha Langford\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eAFTERMATH\u003cbr\u003eFrancesco Gagliardi\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFROM THE ARCHIVES OF THE RED CROSS\u003cbr\u003eAndrew Burke\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eIN 1974\u003cbr\u003eSamy Benammar\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eCOLOUR MY WORLD\u003cbr\u003eDirk de Bruyn\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eIDENTIFICATION\u003cbr\u003eAlexandra Gelis and Jorge Lozano\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWE MAKE COUPLES\u003cbr\u003eMadeline Bogoch\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eINCIDENT REPORTS\u003cbr\u003eMartha Baillie\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSCRAPBOOK\u003cbr\u003eMark McElhatten\u003cbr\u003e\u003ca href=\"https:\/\/clintenns.ca\/freedom-from-everything\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003e\u003ca href=\"https:\/\/clintenns.ca\/freedom-from-everything\/\"\u003eMIRRORS\u003c\/a\u003e\u003cbr\u003eClint Enns\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSAFETY PICTURE COLLECTION\u003cbr\u003eThomas Waugh\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eBUFFALO DEATH MASK\u003cbr\u003eMike Hoolboom\u003cbr\u003eSteve Anker\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eLACAN PALESTINE\u003cbr\u003eMarcel Jean\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFOREST WALK\u003cbr\u003eChris Kennedy\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eMARK\u003cbr\u003ePat Rockman\u003cbr\u003eKarol Orzechowski\u003cbr\u003eHito Steyerl\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eIN THE THEATRE\u003cbr\u003eJon Davies\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003ePUBLIC LIGHTING\u003cbr\u003ePaolo Cherchi Usai\u003cbr\u003eJason McBride\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eIMITATIONS OF LIFE\u003cbr\u003eBruce Jenkins\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eAMY\u003cbr\u003eMatthias Müller\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTOM\u003cbr\u003eTom McSorley\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eJACK\u003cbr\u003eMike Hoolboom\u003cbr\u003eMburucuya Marcela Ortiz Imlach\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eIN THE CITY\u003cbr\u003eScott Birdwise\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eDAMAGED\u003cbr\u003eMike Hoolboom\u003cbr\u003eSteve Reinke\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003ePANIC BODIES\u003cbr\u003eStephen Broomer\u003cbr\u003ePhil Solomon\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHEY MADONNA\u003cbr\u003eGreg Youmans\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eLETTERS FROM HOME\u003cbr\u003eLaura U. Marks\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eHOUSE OF PAIN\u003cbr\u003eThomas Waugh\u003cbr\u003eEllis Scott\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eMOUCLE’S ISLAND\u003cbr\u003eDeirdre Logue\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eESCAPE IN CANADA\u003cbr\u003eCésar Ustarroz\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFRANK’S COCK\u003cbr\u003eAlex MacKenzie\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eONE PLUS ONE\u003cbr\u003eKathryn Ramey\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eABCs OF THE CANON\u003cbr\u003eMike Hoolboom\u003cbr\u003eAaron Zeghers\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eIN THE CINEMA\u003cbr\u003eJesse Malmed\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eMEXICO\u003cbr\u003eVeronika Rall\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSUGAR MAPLE STAND\u003cbr\u003eBenjamin R. Taylor\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFROM HOME\u003cbr\u003eMichael Zryd\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eFAT FILM || WAS\u003cbr\u003eStan Brakhage\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eWHITE MUSEUM\u003cbr\u003eMike Hoolboom\u003cbr\u003eChristine Lucy Latimer\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eTHE BIG SHOW\u003cbr\u003ePhilip Hoffman\u003cbr\u003e\u003ca href=\"https:\/\/clintenns.ca\/freedom-from-everything\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003e\u003ca href=\"https:\/\/clintenns.ca\/freedom-from-everything\/\"\u003eNOW, YOURS\u003c\/a\u003e\u003cbr\u003eClint Enns\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"has-small-font-size wp-block-paragraph\"\u003eSONG FOR MIXED CHOIR\u003cbr\u003eRick Hancox\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clintenns.ca\/carefully-looking-an-interview-with-mike-hoolboom\/\"\u003eCAREFULLY LOOKING: AN INTERVIEW WITH MIKE HOOLBOOM\u003c\/a\u003e\u003cbr\u003eClint Enns\u003cbr\u003e\u003cbr\u003eCOMPLETE FILMOGRAPHY\u003cbr\u003e\u003cbr\u003eESSENTIAL MOVIES\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Winnipeg Film Group","offers":[{"title":"Default Title","offer_id":52078921285953,"sku":null,"price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/6299\/0145\/files\/MikeHoolboomWork.jpg?v=1786546124","url":"https:\/\/shop.winnipegfilmgroup.com\/products\/mike-hoolboom-work","provider":"Winnipeg Film Group","version":"1.0","type":"link"}